期刊： COMPUTER MUSIC JOURNAL, 2023; 45 (4)
This article introduces the Orchidea Orchestral Qualities framework (OOQ), an extension of the Orchidea environment for computer-aided orchestration. ......
期刊： COMPUTER MUSIC JOURNAL, 2023; 45 (4)
Message passing between processes and across networks offers a powerful method to integrate and coordinate various music programs, facilitating softwa......
期刊： COMPUTER MUSIC JOURNAL, 2023; 45 (4)
The problem of target-based computer-aided orchestration is a recurring topic in the contemporary music community. Because of its complexity, computer......
期刊： COMPUTER MUSIC JOURNAL, 2023; 45 (4)
GuiaRT is an interactive musical setup based on a nylon-string guitar equipped with hexaphonic piezoelectric pickups. It consists of a modular set of ......
期刊： COMPUTER MUSIC JOURNAL, 2021; 44 (2-3)
Digital musical instruments offer countless opportunities for musical expression by allowing artists to produce sound without the physical constraints......
期刊： COMPUTER MUSIC JOURNAL, 2021; 44 (1)
Sonification of time series data in natural science has gained increasing attention as an observational and educational tool. Sound is a direct repres......
期刊： COMPUTER MUSIC JOURNAL, 2021; 44 (2-3)
We present the second iteration of a Touch-Responsive Augmented Violin Interface System, called TRAVIS II, and two compositions that demonstrate its e......
期刊： COMPUTER MUSIC JOURNAL, 2021; 44 (2-3)
Nearly two decades after its inception as a workshop at the Association for Computing Machinery Conference on Human Factors in Computing Systems, New ......
期刊： COMPUTER MUSIC JOURNAL, 2021; 44 (1)
Peripheral interaction is a new approach to conveying information at the periphery of human attention in which sound is so far largely underrepresente......
期刊： COMPUTER MUSIC JOURNAL, 2021; 44 (1)
This article presents a musical interface that enables the sonification of data from the human microbiota, the trillions of microorganisms that inhabi......
期刊： COMPUTER MUSIC JOURNAL, 2021; 44 (2-3)
Established in 1988 by composers Laura Bianchini and Michelangelo Lupone, the Centro Ricerche Musicali (CRM) in Rome was officially recognized in 1990......
